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|Author||: Andrew Bolton|
|Editor||: Metropolitan Museum of Art|
Published in conjunction with the exhibition of the same name on view at The Metropolitan Museum of Art, New York, Ma6 4-July 31, 2011.
|Author||: Andrew Wilson|
|Editor||: Simon and Schuster|
"The first definitive biography of the iconic, notoriously private British fashion designer Alexander McQueen explores the connections between his dark work and even darker life. When forty-year-old Alexander McQueen committed suicide in February 2010, a shocked world mourned the loss. McQueen had risen from humble beginnings as the son of an East London taxi driver to scale the heights of fame, fortune, and glamour. He designed clothes for the world's most beautiful women and royalty, most famously the Duchess of Cambridge, who wore a McQueen dress on her wedding day. He created a multimillion-dollar luxury brand that became a favorite with celebrities including Kate Moss and Naomi Campbell. But behind the confident facade and bad-boy image, lay a sensitive soul who struggled to survive in the ruthless world of fashion. As the pressures of work intensified, McQueen became increasingly dependent on the drugs that contributed to his tragic end. Meanwhile, in his private life, his failure to find lasting love in a string of boyfriends only added to his despair. And then there were the dark secrets that haunted his sleep... A modern-day fairy tale infused with the darkness of a Greek tragedy, Alexander McQueen tells the complete sensational story, and includes never-before-seen photos. Those closest to the designer--his family, friends, and lovers--have spoken for the first time about the man they knew, a fragmented individual, a lost boy who battled to gain entry into a world that ultimately destroyed him. "There's blood beneath every layer of skin," McQueen once said. Andrew Wilson's biography, filled with groundbreaking material, dispels myths, corrects inaccuracies, and offers new insights into McQueen's private life and the source of his creative genius"--
|Author||: Judith Watt|
|Editor||: Harper Design|
An intimate and revealing look at the personal and professional life of the fashion world's most visionary designer. This incredible volume strips away the layers of legend surrounding Alexander McQueen, revealing the sartorial genius and the true history of the man who reinvented modern fashion. Uncovering new details about Lee Alexander McQueen's humble childhood in East London, author Judith Watt traces the young designer's ascent—from his graduate collection at Central Saint Martins School of Art and Design to his over-the-top runway shows to the designs he created just days before his death at age forty. Providing new insights into the dark passion and inspiration that guided each fever-pitched runway show, this fully illustrated portrait delivers a truly comprehensive, in-depth look at the most provocative designer of a generation. Illustrated throughout with McQueen's personal drawings and ephemera as well as a mixture of exquisite catwalk and editorial fashion images, Alexander McQueen: The Life and the Legacy is every bit as stunning as the designer himself. With more than 175 full-color photographs
|Author||: Katherine Gleason|
|Editor||: Race Point Publishing|
From Jack the Ripper Stalks His Victims, his 1992 graduate collection, to Plato's Atlantis, the last show before his death in 2010, Lee Alexander McQueen was as celebrated for the exquisite tailoring, meticulous craftsmanship, and stunning originality of his designs as he was notorious for his theatrical—and often controversial—runway shows. McQueen found inspiration for his avant-garde collections everywhere: his Scottish ancestry, Alfred Hitchcock movies, Yoruba mythology, the destruction of the environment—even the fashion industry itself. Whatever his inspiration, however, McQueen’s concept for his runway show came first and was crucial to the development of the collection. Every show had a narrative and was staged with his characteristic dramatic flair. Highland Rape featured disheveled models smeared with “blood” staggering down the runway in town clothes. In Scanners, two robots sprayed paint on a model trapped on a spinning platform. In Widows of Culloden, a hologram of supermodel Kate Moss held center stage. Other McQueen shows staged models walking through water, drifting snowflakes, rain, and wind tunnels; pole-dancing in garish makeup at a carnival, playing living pieces in a bizarre chess game, and performing with trained dancers in a Depression-era-style marathon. Illustrated throughout with stunning photography and liberally sprinkled with quotations from McQueen and those who knew him best, Alexander McQueen: Evolution is the story of the designer’s thirty-five runway shows and the genius behind them.
|Author||: Robert Fairer|
|Editor||: Yale University Press|
Never-before-seen photos of McQueen’s brilliantly creative world from an exclusive backstage photographer Alexander McQueen, the iconic designer whose untimely death in 2010 left the fashion world reeling and fans worldwide clamoring for more, fused immense creativity, audacity, and a hauntingly dark aesthetic sense into powerful, unforgettable imagery. The strange, singular beauty of his clothing was matched by the spectacle of his legendary fashion shows, which demonstrated his outstanding showmanship and consistently pushed the boundaries of runway events. Robert Fairer’s intimate, vibrant full-color photographs of McQueen’s collections, taken backstage and on the catwalk when few photographers were allowed access, offer a unique insight into the life and work of one of the world’s most captivating figures. This previously unpublished portfolio of stunning, high-energy photographs captures the people and the spirit that made the designer’s flamboyant shows unique. Fairer, Vogue's backstage fashion photographer for over a decade, was an integral part of the whirl of activity behind the scenes. These images, which capture both the glamor and the grit, represent a new genre of fashion photography and are a treasure-trove of inspiration. This superb book contains an introduction and collections texts by fashion expert Claire Wilcox. Dynamic images of McQueen’s collections--thirty of his total of thirty-six shows are presented chronologically--portray behind-the-scenes moments that reveal stylists, models, hairdressers, makeup artists, and McQueen himself at their most candid and creative.
|Author||: Dana Thomas|
More than two decades ago, John Galliano and Alexander McQueen arrived on the fashions scene when the business was in an artistic and economic rut. Both wanted to revolutionize fashion in a way no one had in decades. They shook the establishment out of its bourgeois, minimalist stupor with daring, sexy designs. They turned out landmark collections in mesmerizing, theatrical shows that retailers and critics still gush about and designers continue to reference. Their approach to fashion was wildly different—Galliano began as an illustrator, McQueen as a Savile Row tailor. Galliano led the way with his sensual bias-cut gowns and his voluptuous hourglass tailoring, which he presented in romantic storybook-like settings. McQueen, though nearly ten years younger than Galliano, was a brilliant technician and a visionary artist who brought a new reality to fashion, as well as an otherworldly beauty. For his first official collection at the tender age of twenty-three, McQueen did what few in fashion ever achieve: he invented a new silhouette, the Bumster. They had similar backgrounds: sensitive, shy gay men raised in tough London neighborhoods, their love of fashion nurtured by their doting mothers. Both struggled to get their businesses off the ground, despite early critical success. But by 1997, each had landed a job as creative director for couture houses owned by French tycoon Bernard Arnault, chairman of LVMH. Galliano’s and McQueen’s work for Dior and Givenchy and beyond not only influenced fashion; their distinct styles were also reflected across the media landscape. With their help, luxury fashion evolved from a clutch of small, family-owned businesses into a $280 billion-a-year global corporate industry. Executives pushed the designers to meet increasingly rapid deadlines. For both Galliano and McQueen, the pace was unsustainable. In 2010, McQueen took his own life three weeks before his womens' wear show. The same week that Galliano was fired, Forbes named Arnault the fourth richest man in the world. Two months later, Kate Middleton wore a McQueen wedding gown, instantly making the house the world’s most famous fashion brand, and the Metropolitan Museum of Art opened a wildly successful McQueen retrospective, cosponsored by the corporate owners of the McQueen brand. The corporations had won and the artists had lost. In her groundbreaking work Gods and Kings, acclaimed journalist Dana Thomas tells the true story of McQueen and Galliano. In so doing, she reveals the revolution in high fashion in the last two decades—and the price it demanded of the very ones who saved it.
|Author||: Chloe Fox|
|Editor||: Quadrille Publishing Ltd|
Alexander McQueen was from the controversy of his early shows to the elegiac perfection of his last British fashion's most significant figure. His stellar career is a story of iconoclasm, ambition and visionary brilliance. Vogue On Alexander McQueen shows how his darkly beautiful designs, immaculate tailoring, slashed material and sculpted outlines realised his ambition: I want to be the purveyor of a certain silhouette or a way of cutting so that, when I'm dead and gone, people will know that the twenty-first century was started by Alexander McQueen.
|Author||: Alexander McQueen Quattlebaum|
|Editor||: Univ of South Carolina Press|
In 1962, Alexander McQueen Quattlebaum first visited the Isle of Skye, off the west coast of Scotland. After surveying the land and finding it a stark contrast to the fertile fields of South Carolina's lowcountry, he understood why, after generations, his forbears had chosen to leave the Scottish isle and cross the Atlantic. However, over the next two decades he made annual visits to Scotland and slowly uncovered the rich history of the MacQueen and Macfarlane families.
|Author||: Nick Waplington,Alexander McQueen,Susannah Frankel|
|Editor||: Damiani Editore|
Lee Alexander McQueen's last show before his untimely death in 2010, titled "The Horn of Plenty," functioned as a kind of personal survey in which McQueen revisited his 15-year archive of work, revitalizing it through the new collection. He invited photographer Nick Waplington to document the collection from inception to runway. "It is not just a book about a season in a fashion house," says Waplington; "It is also a personal record of Lee's imagination, his version of himself, and a tribute to the many important and lasting relationships he had with all those who worked alongside him." With over 250 photographs, "Working Process" allows readers an intimate glimpse into McQueen's dynamic creative process. This boxed limited edition of 100 copies includes an original signed and numbered print by Waplington, which features McQueen behind the scenes at the fashion shoot, from page 36 of the book.
|Author||: Michael O'Neill|
|Editor||: Upfront Entertainment|
Magnificently illustrated with some of McQueen's most riveting designs, this book illuminates the struggles of a man who dared to defy accepted fashion norms and give the world a new sense of grandeur From conflicted gay teenager and aggressive and remote young man, through to his lonely suicide, this book charts Alexander McQueen's ascent to couturier par excellence, highlighting his spectacular shows and showing how his confrontational, streetwise manner was simply a shield that protected and masked a very shy, sensitive, and insecure man who hailed from the wrong side of the high fashion tracks. McQueen's talent is now globally acknowledged to have been unmatched in contemporary haute couture, and this book distills from the lavish sweep of his colors, designs, fabrics, and forward-driving concepts the essence of a man on a quest for beauty and his own contentment. In casting the spotlight on the stark contrast between catwalk glamour and his upbringing and personal demons, the book shows how his talent both nourished and destroyed him. It takes us from the vicious glare of the walkway where he was fêted by the wealthy and famous as an innovative artist to behind the glamour. There, defiance delineated a life that was hurled into inescapable depression by the deaths, first of his great friend and supporter Isabella Blow and then by his mother.
|Author||: Judith Watt|
Celebrating his work and vision, Alexander McQueen: Fashion Visonary traces the designer's ascent from student to graduate and on to becoming one of the world's most respected couturiers - a story marked by celebrity friendships, unrestrained creativity, theatrical fashion shows and, ultimately, tragedy. This book is dedicated to McQueen's work and talent, and exhibits not simply visually electrifying fashion images, but also reveals the deep reservoir of the designer's imagination. Featuring close-up details of garments and explanations of the technical skill employed and how the pieces were made and including a forward by socialte Daphne Guiness and McQueen's friend Isabella Bow, this is the ultimate celebration of McQueen's extraordinary talent.
|Author||: Chloe Fox|
|Editor||: Quadrille Publishing|
His extraordinary career, which took him from humble beginnings as an apprentice on Savile Row to the creative directorship of his own global brand, is a story of hard work, ambition and visionary brilliance. Leading photographers such as Mario Testino and Corinne Day photographed his stunning designs for Vogue, and through them Alexander McQueen's career is presented - from the controversy of his early shows to the elegiac perfection of his last - with a particular emphasis on the evolution of his signature style: immaculate tailoring, slashed fabric, historical references and beauty in the macabre. The book shows that McQueen's own ambition was fully realised: 'I want to be the purveyor of a certain silhouette or a way of cutting so that, when I'm dead and gone, people will know that the Twenty-first Century was started by Alexander McQueen'.
|Author||: Melanie Rickey|
|Editor||: Laurence King Publishing|
London 1996: Alexander McQueen took over the Hawksmoor masterpiece Christ Church in London's East End for what was quite possibly the greatest fashion show on Earth. A candle-lit, cruciform catwalk with a backdrop of stained-glass windows set the tone for an extraordinary collection. Lace sat against chiffon and rubbed shoulders with couture and club-culture clothing and digital print. Dante was the seminal collection that would resonate throughout Alexander McQueen's career. This book features unique photographs shot behind the scenes, with raw, unseen pictures of the designer, models and clothes. The fashion creatives who worked with McQueen to make the show such a success recall this pivotal time in the designer's career and reflect on what made Dante truly groundbreaking. Newly created imagery of clothes shown on the catwalk gives an insight into why this collection was so special.
|Author||: Source Wikipedia|
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 18. Chapters: Alexander McQueen (brand), Balenciaga, Bottega Veneta, Frida Giannini, Gucci, Oscar de la Renta, Sergio Rossi, Stella McCartney, Tomas Maier, Yves Saint Laurent (brand). Excerpt: Alexander McQueen is a luxury fashion house founded by designer Alexander McQueen (1969-2010). Its current creative director is Sarah Burton. An Alexander McQueen dress from his last show, on display at the Victoria and Albert Museum, London, in 2010. A display from "Savage Beauty," a retrospective of Alexander McQueen designs at the Metropolitan Museum of Art, New York City, 2011.Alexander McQueen was founded by designer McQueen in 1992. It was the suggestion of Isabella Blow that McQueen use his middle name for the label. The house's early collections developed its reputation for controversy and shock tactics (earning the title "l'enfant terrible" and "the hooligan of English fashion"), with trousers aptly named "bumsters" and a collection entitled Highland Rape. Alexander McQueen staged lavish, unconventional, runway shows, such as a recreation of a shipwreck for his spring 2003 collection, spring 2005's human chess game and the Fall 2006 show, Widows of Culloden, which featured a life-sized hologram of supermodel Kate Moss dressed in yards of rippling fabric. During his time as head designer, McQueen was awarded the title "British Designer of the Year" four times between 1996 and 2003; he was also awarded the CBE and named International Designer of the Year by the Council of Fashion Designers in 2003. In December 2000, the Gucci Group acquired 51% of his company and appointed him as Creative Director before launching stores in London, Milan, New York, Los Angeles and Las Vegas. In October 31, 2011, Alexander McQueen opens its first store in Beijing with a runway show. Following the take over, the brand's catwalk presentations were...