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Black Like Me 2
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|Author||: JOHN HOWARD. GRIFFIN|
In the autumn of 1959, a white Texan journalist named John Howard Griffin travelled across the Deep South of the United States disguised as a black man. Black Like Me is Griffin's own account of his journey. Originally commissioned by the African-American general-interest magazine Sepia under the title 'Journey into Shame', it was published in book-form in 1961, revealing to a white audience the day-to-day experience of racism in segregation-era America.Selling over five million copies, Black Like Me became one of the best-known accounts of race and racism in the 1960s, and helped turn the eyes of white society towards the everyday indignities and injustices of segregation. Today, sixty years after Griffin's extraordinary journey across the racial divide, Black Like Me's unrepeatable act of journalistic intrepidity stands as a fascinating document of its times. 'John Howard Griffin has come closer to understanding what it's like to be black in America than any white man that I know.' Louis Lomax, Saturday Review'If it was a frightening experience for him as nothing but a make-believe Negro for sixty-six days, then you think about what real Negroes in America have gone through for 400 years.' Malcom X
|Author||: John Howard Griffin|
This American classic has been corrected from the original manuscripts and indexed, featuring historic photographs and an extensive biographical afterword.
|Author||: Judith Vigna|
|Editor||: Albert Whitman and Company|
When a black family moves to an all-white neighborhood, prejudice rears its ugly head as the white adults behave rudely and children's friendships break up.
|Author||: Mariama J. Lockington|
|Editor||: Farrar, Straus and Giroux (BYR)|
In this lyrical coming-of-age story about family, sisterhood, music, race, and identity, Mariama J. Lockington draws on some of the emotional truths from her own experiences growing up with an adoptive white family. I am a girl but most days I feel like a question mark. Makeda June Kirkland is eleven years old, adopted, and black. Her parents and big sister are white, and even though she loves her family very much, Makeda often feels left out. When Makeda's family moves from Maryland to New Mexico, she leaves behind her best friend, Lena— the only other adopted black girl she knows— for a new life. In New Mexico, everything is different. At home, Makeda’s sister is too cool to hang out with her anymore and at school, she can’t seem to find one real friend. Through it all, Makeda can’t help but wonder: What would it feel like to grow up with a family that looks like me? Through singing, dreaming, and writing secret messages back and forth with Lena, Makeda might just carve a small place for herself in the world. For Black Girls Like Me is for anyone who has ever asked themselves: How do you figure out where you are going if you don’t know where you came from?
|Author||: David Erik Nelson|
|Editor||: Greenhaven Publishing LLC|
This comprehensive edition explores the life of John Howard Griffin as well as the issue of race as presented in his most famous work, Black Like Me, which details Griffin's experiment darkening his skin to pass as a black man during the Jim Crow era. This volume also presents modern perspectives on race in twenty-first-century America, with commentators asserting that while progress has been made, racism is still a significant issue.
|Author||: Tim Wise|
Flipping John Howard Griffin's classic Black Like Me, and extending Noel Ignatiev's How The Irish Became White into the present-day, Wise explores the meanings and consequences of whiteness, and discusses the ways in which racial privilege can harm not just people of color, but also whites. Using stories instead of stale statistics, Wise weaves a narrative that is at once readable and yet scholarly; analytical and yet accessible.
|Author||: John Griffin|
|Editor||: Wings Press|
The companion volume to the 50th-anniversary edition of Black Like Me, this book features John Howard Griffin’s later writings on racism and spirituality. Conveying a progressive evolution in thinking, it further explores Griffin’s ethical stand in the human rights struggle and nonviolent pursuit of equality—a view he shared with greats such as Gandhi, Martin Luther King Jr., and Thomas Merton. Enlightening and forthright, this record also focuses on Griffin’s spiritual grounding in the Catholic monastic tradition, discussing the illuminating meditations on suffering and the author’s own reflections on communication, justice, and dying.
|Author||: John Howard Griffin|
|Editor||: Signet Book|
The author underwent a series of medical treatments to change his skin color to black, and then proceeded to travel through the Deep South.
|Author||: John Howard Griffin|
|Editor||: Wings Press|
No less a critic than Clifton Fadiman called The Devil Rides Outside a "staggering novel." The first novel of John H. Griffin, it written during the author's decade of blindness following an injury suffered during the closing days of World War II. As Time Magazine described it, The Devil Rides Outside "has some things relatively rare in U.S. letters: energy, earnestness and unashamed religious fervor." Written as a diary, the novel relates the intellectual and spiritual battles of a young American musicologist who is studying Gregorian chant in a French Benedictine monastery. Even though he is not Catholic, he must live like the monks, sleeping in a cold stone cell, eating poor food, sharing latrine duties. His dreams rage with memories of his Paris mistress; his days are spent being encouraged by the monks to seek God. He takes up residence outside the monastery after an illness, but he finds the village a slough of greed and pettiness and temptation. Indeed, as the French proverb says, "the devil rides outside the monastery walls."
|Author||: Spencer Borisoff,Len Barry,Leonard Borisoff,Spencer Barry|
This is a heartwarming, ever-evolving story about a socially transplanted Caucasian brother and sister thrust by circumstance into life and love in the hood. It is the joy of acceptance and the pain of rejection finally told from the opposite perspective of black Americans being denied assimilation into white society. It is the "OC" inside out, blended with Spike Lee's Jungle Fever upside down, and a kinder, warmer Eminem's 8-Mile. It is a story whose time has finally come. Its chemistry is exquisitely perfect. It presents situations that evoke only empathy, and characters that everyone will relate to and ultimately embrace. Black-Like-Me is the realization of American life and its true promise of human manifest destiny. Read this and swell up inside. Hey, you are about to fall in love!
|Author||: Ta-Nehisi Coates|
|Editor||: One World|
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
|Author||: Rinaldo Walcott|
|Editor||: Insomniac Press|
Rinaldo Walcott's groundbreaking study of black culture in Canada, Black Like Who?, caused such an uproar upon its publication in 1997 that Insomniac Press has decided to publish a second revised edition of this perennial best-seller. With its incisive readings of hip-hop, film, literature, social unrest, sports, music and the electronic media, Walcott's book not only assesses the role of black Canadians in defining Canada, it also argues strenuously against any notion of an essentialist Canadian blackness. As erudite on the issue of American super-critic Henry Louis Gates' blindness to black Canadian realities as he is on the rap of the Dream Warriors and Maestro Fresh Wes, Walcott's essays are thought-provoking and always controversial in the best sense of the word. They have added and continue to add immeasurably to public debate.
|Author||: Cecile Pineda,John Howard Griffin,Robert Bonazzi|
|Editor||: Wings Press (TX)|
Publisher's description: Studs Terkel tells us in his Foreword to the definitive Griffin Estate Edition of Black Like Me: "This is a contemporary book, you bet." Indeed, Black Like Me remains required reading in thousands of high schools and colleges forthis very reason. Regardless of how much progress has been made in eliminating outright racism from American life, Black Like Me endures as a great human--and humanitarian--document. In our era, when "international" terrorism is most often defined in terms of a single ethnic designation and a single religion, we need to be reminded that America has been blinded by fear and racial intolerance before. As John Lennon wrote, "Living is easy with eyes closed." Black Like Me is the story of a man who opened his eyes, and helped an entire nation to do likewise.
|Author||: John Howard Griffin|
|Editor||: Wings Press|
After John Howard Griffin's escape from Nazi-occupied France, he was shipped to the South Pacific, where he was stationed as an isolated observer in the Solomon Islands. That experience led to his second novel, Nuni (1956). As in his first novel, The Devil Rides Outside, an American professor is confronted by an alien reality. In Nuni, that reality is a "primitive," almost Neolithic society. Yet, the professor's intellectual accomplishments are useless here, his place in both family and civilized society meaningless. He learns to cope, not so much in terms of survival as in finding a new meaning to his life. The Chicago Tribune described Nuni as "an extraordinarily interesting account of a white man's life in a savage island village of the Pacific--the greater part of the novel is concerned with the growth in the narrator, a knowledge of as well as affection for the curiously innocent people." The Dallas Times-Herald wrote: "The two greatest novels of the past decade are William Faulkner's A Fable, and John Howard Griffin's Nuni."
|Author||: Norah Vincent|
A journalist’s provocative and spellbinding account of her eighteen months spent disguised as a man. Norah Vincent became an instant media sensation with the publication of Self-Made Man, her take on just how hard it is to be a man, even in a man’s world. Following in the tradition of John Howard Griffin (Black Like Me), Vincent spent a year and a half disguised as her male alter ego, Ned, exploring what men are like when women aren’t around. As Ned, she joined a bowling team, took a high-octane sales job, went on dates with women (and men), visited strip clubs, and even managed to infiltrate a monastery and a men’s therapy group. At once thought-provoking and pure fun to read, Self-Made Man is a sympathetic and thrilling tour de force of immersion journalism.
|Author||: Todne Thomas|
|Editor||: Duke University Press|
In Kincraft Todne Thomas explores the internal dynamics of community life among black evangelicals, who are often overshadowed by white evangelicals and the common equation of the “Black Church” with an Afro-Protestant mainline. Drawing on fieldwork in an Afro-Caribbean and African American church association in Atlanta, Thomas locates black evangelicals at the center of their own religious story, presenting their determined spiritual relatedness as a form of insurgency. She outlines how church members cocreate themselves as spiritual kin through what she calls kincraft—the construction of one another as brothers and sisters in Christ. Kincraft, which Thomas traces back to the diasporic histories and migration experiences of church members, reflects black evangelicals' understanding of Christian familial connection as transcending racial, ethnic, and denominational boundaries in ways that go beyond the patriarchal nuclear family. Church members also use their spiritual relationships to navigate racial and ethnic discrimination within the majority-white evangelical movement. By charting kincraft's functions and significance, Thomas demonstrates the ways in which black evangelical social life is more varied and multidimensional than standard narratives of evangelicalism would otherwise suggest.
|Author||: Baratunde Thurston|
|Editor||: Harper Collins|
New York Times Bestseller Baratunde Thurston’s comedic memoir chronicles his coming-of-blackness and offers practical advice on everything from “How to Be the Black Friend” to “How to Be the (Next) Black President”. Have you ever been called “too black” or “not black enough”? Have you ever befriended or worked with a black person? Have you ever heard of black people? If you answered yes to any of these questions, this book is for you. It is also for anyone who can read, possesses intelligence, loves to laugh, and has ever felt a distance between who they know themselves to be and what the world expects. Raised by a pro-black, Pan-Afrikan single mother during the crack years of 1980s Washington, DC, and educated at Sidwell Friends School and Harvard University, Baratunde Thurston has more than over thirty years' experience being black. Now, through stories of his politically inspired Nigerian name, the heroics of his hippie mother, the murder of his drug-abusing father, and other revelatory black details, he shares with readers of all colors his wisdom and expertise in how to be black. “As a black woman, this book helped me realize I’m actually a white man.”—Patton Oswalt