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Drawing From Observation
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|Author||: Brian Curtis, Professor|
|Editor||: McGraw-Hill Education|
Perceptual drawing, in which one renders the physical world as it appears to an observer, is the focus of this new text for the introductory drawing course. With an emphasis on progressive skill development, Drawing from Observation offers a balanced mix of hands-on technique and perceptual theory while making a compelling argument for the long-term value of studying perception-based drawing.
|Author||: Brian Curtis|
|Editor||: McGraw-Hill Humanities, Social Sciences & World Languages|
Perceptual drawing, in which one renders the physical world as it appears to an observer, is the focus of this new text for the introductory drawing course. With an emphasis on progressive skill development, Drawing from Observation offers a balanced mix of hands-on technique and perceptual theory while making a compelling argument for the long-term value of studying perception-based drawing...
|Author||: Brian Curtis|
|Editor||: McGraw-Hill Humanities, Social Sciences & World Languages|
Perceptual drawing, in which one renders the physical world as it appears to an observer, is the focus of this new text for the introductory drawing course. Drawing from Observation offers a balanced mix of hands-on technique and perceptual theory while making a compelling argument for the long-term value of studying perception-based drawing.
|Author||: Deborah A. Rockman|
|Editor||: Oxford University Press, USA|
An exceptional, all-in-one resource on basic drawing (non-subject specific), figure drawing, and perspective, with more than 500 color and black-and-white illustrations by both students and professionals, Drawing Essentials: A Guide to Drawing from Observation thoroughly covers the drawing elements that are most important at the foundation level. Award-winning artist, teacher, and author Deborah Rockman explains clearly and in depth what is essential to depicting form and space on a two-dimensional surface. Addressing and illustrating studio experiences that are not effectively dealt with in other drawing books, the text elucidates such fundamental (yet challenging) concepts and methods as sighting, scaling techniques, meaningful and descriptive line variation, observation and development of tonal structure, creation of interesting and instructive still lifes, the conceptual impact of still-life objects, the unique challenges of the human figure and portraiture, basic and advanced perspective systems, brainstorming and the generation of ideas, and the use of photographs as reference. Throughout, the author focuses on the cultivation of observational skills, increased sensitivity, critical thinking, technical refinement, and knowledge of materials. This second edition includes an entirely new chapter on color theory and color drawing (with nearly 50 full color illustrations), a division of the perspective chapter into two (the second covering more advanced techniques), new and updated illustrations throughout, 27 color additions to the gallery of contemporary drawings in the Appendix, and a new Glossary of Art Terms.
|Author||: Joseph Podlesnik|
|Editor||: Tempe Digital|
Observational Drawing by Joseph Podlesnik is a practical guide to the basic language of drawing. Written in a clear style, this textbook explores both intuitive and analytical approaches to drawing. The book employs a highly visual design with numerous illustrations and contemporary drawings that connect theory with practice. Observational Drawing has been written for anyone interested in the essential role of drawing in the visual arts. The book provides useful insight for beginning students and practicing professionals alike. Drawing from observation is a vital skill for any creative field, including fine art, graphic design, advertising, illustration, animation, and interior design. Observational Drawing is an essential addition to any art and design library. TABLE OF CONTENTS Chapter 1 – Drawing Chapter 2 – Media Chapter 3 – Mechanics Chapter 4 – Mindset Chapter 5 – Gesture Chapter 6 – Line Chapter 7 – Contour Chapter 8 – Sighting Chapter 9 – Geometrics Chapter 10 – Value Chapter 11 – Space Chapter 12 – Motif
|Author||: Ian Simpson|
|Editor||: Herbert Press|
Ian Simpson's clear systematic approach to all aspects of drawing provides a comprehensive drawing course, ideal for both beginners and for those with considerable experience who want to re-examine the fundamentals. Illustrated, and with many suggestions for practical work, this book also offers teachers at all levels a ready-made instruction programme which progresses from basic drawing problems to the development of personal style.
|Author||: Bert Dodson|
Anyone who can hold a pencil can learn to draw. In this book, Bert Dodson shares his complete drawing system—fifty-five "keys" that you can use to render any subject with confidence, even if you're a beginner. These keys, along with dozens of practice exercises, will help you draw like an artist in no time. You'll learn how to: • Restore, focus, map, and intensify • Free your hand action, then learn to control it • Convey the illusions of light, depth, and texture • Stimulate your imagination through "creative play"
|Author||: Jean Van't Hul|
|Editor||: Shambhala Publications|
Bring out your child’s creativity and imagination with more than 60 artful activities in this completely revised and updated edition Art making is a wonderful way for young children to tap into their imagination, deepen their creativity, and explore new materials, all while strengthening their fine motor skills and developing self-confidence. The Artful Parent has all the tools and information you need to encourage creative activities for ages one to eight. From setting up a studio space in your home to finding the best art materials for children, this book gives you all the information you need to get started. You’ll learn how to: * Pick the best materials for your child’s age and learn to make your very own * Prepare art activities to ease children through transitions, engage the most energetic of kids, entertain small groups, and more * Encourage artful living through everyday activities * Foster a love of creativity in your family
|Author||: Robbie Lee|
In the same easy to understand and fun to experience style as Perspective Made Easy, Robbie Lee shows readers, step by step, the basic drawing skills they need to build a successful base on which to build any style of drawing expertise. With a fun robot as their guide, readers will experience immediate success as they follow along with more than 20 step-by-step demonstrations and 30 lessons on topics such as the drawing process, perspective, drawing people, and drawing scenes. The book also broaches the differences in drawing methods: spontaneous drawing, drawing from observation, and drawing from your imagination. The simple language and graphic novel approach makes it all fun and easy.
|Author||: Stuart Elliot|
Drawing the Nude presents an exciting approach to drawing the human body. Divided into three parts, on structure, anatomy and observation, it introduces a set of principles and develops a treasury of ideas for the artist to follow. Whilst recognizing the importance of observation, it focuses more on a conceptual understanding of the construction of the body in anatomical terms. In doing so, it encourages the cultivation of more informed observation and accommodates those who work from memory, imagination and invention. Contents: the drawing of elementary forms that can then be distorted, transformed and combined, leading on to compound forms; explains the use of light and shadows to express form; explains the gesture of the figure through short drawings that analyse the flow of movement through the body; studies the musculo-skeletal form and provides a set of tools for analysing its parts; uses direct and concise drawings, alongside images of digital sculptures of human anatomy; gives practical instruction relevant to both the novice and the experienced figure artist, as well as those working within the visual effects and game industries.Superbly illustrated with 199 images that include digital sculptures of human anatomy and concise drawings.
|Author||: Tessa Newcomb,William Packer|
|Editor||: Lund Humphries Publishers Limited|
On New Year's Day 1986, encouraged by her dealer Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: "I wanted [...] to remind ourselves that--in our haste--in this century--we may not give time to pause and look--and may pass on our way unheeding." This beautiful new book, compiled by the artist's daughter and grandson, reveals Mary Newcomb as an acute observer of her surroundings, reproducing her copious sketches alongside more finished paintings and short diary extracts to draw out the many themes which preoccupied her throughout her career as an artist. Mary Newcomb's world was rural East Anglia, where she managed a small mixed farm with her husband Godfrey Newcomb. The working life of the countryside engrossed her quite as much as the cycle of nature: she noticed and relished everything, with as keen an eye for the color of the bridesmaids' dresses at a wedding as for the yellow and brown of a dragonfly's body. Mary's daughter Tessa Newcomb, also an artist, introduces the key themes of the book with short texts which provide fascinating insight into her mother's world. A reflective introductory essay by art critic William Packer considers Mary Newcomb's written diary observations alongside the poetic language of her art.
|Author||: Margaret Colquhoun,Axel Ewald|
|Editor||: Art & Science|
Here are fresh ways of seeing nature on a journey through the seasons with observation and drawing exercises. Simple observation exercises interwoven with inspiring illustrations invite you 'to see' with a fresh pair of eyes. This opens a door onto a new way of practicing Science as an Art, using the holistic approach of Goethe.
|Author||: Shari Tishman|
Slow Looking provides a robust argument for the importance of slow looking in learning environments both general and specialized, formal and informal, and its connection to major concepts in teaching, learning, and knowledge. A museum-originated practice increasingly seen as holding wide educational benefits, slow looking contends that patient, immersive attention to content can produce active cognitive opportunities for meaning-making and critical thinking that may not be possible though high-speed means of information delivery. Addressing the multi-disciplinary applications of this purposeful behavioral practice, this book draws examples from the visual arts, literature, science, and everyday life, using original, real-world scenarios to illustrate the complexities and rewards of slow looking.
|Author||: Mariko Higaki|
|Editor||: Rockport Publishers|
Learn to draw by sketching what surrounds you everyday. In Observational Sketching, author Mariko Higaki—an ISDA Gold Award–winning industrial designer based in Japan—teaches you how to practice and learn to sketch by using well-established observational techniques. Perspective, proportion, lines, shapes, shading, and many other techniques can be learned through everyday practice and observation of the items you come in contact with everyday, from a backpack to your sunglasses. This book addresses how to approach sketching a range of shapes and materials and how to disassemble each object to accurately capture its unique design elements. Inspiration and examples from the author and other well-known artists accompany a variety of projects that you can try right away and skill-building projects that will strengthen your talent. Find within: An introduction to observational sketching The basic concepts and tools used in observational sketching Observation techniques Illustrated step-by-step instructions for creating observational sketches of 20 common objects, from a alarm clock to a wooden stool Hone your artistic skills with this daily sketching practice. Whether you are an urban sketcher or an industrial designer, this books should be part of your reference collection.
|Author||: Mark Linley|
If you can write your name, you have enough touch to learn to draw. Let Mark Linley inspire you to pick up your pencil and create a magical masterpiece. His positive approach secures quick, accurate results and ever-growing confidence. Learn to look properly and get the basic outlines correct; include the key features but simplify what you see; understand how shading (such as dot stipple or cross-hatching) can transform a sketch; get the eye level right and see how a grid helps with the composition. Whatever you want to draw - a beautiful holiday scene, a lifelike portrait of your family or favourite pet, or even a funny cartoon to illustrate a birthday card - Mark Linley shows, in this new edition of his bestselling book, everything you need to succeed.
|Author||: Kelly Chorpening,Rebecca Fortnum|
|Editor||: John Wiley & Sons|
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.
|Author||: Rob Walker|
"A handsome, beautifully produced compilation of meditations and exercises to inspire us to find joy and expand the ways we engage with the people and places, the objects and tasks we encounter in our everyday lives"--
|Author||: Omar W. Nasim|
|Editor||: University of Chicago Press|
Today we are all familiar with the iconic pictures of the nebulae produced by the Hubble Space Telescope’s digital cameras. But there was a time, before the successful application of photography to the heavens, in which scientists had to rely on handmade drawings of these mysterious phenomena. Observing by Hand sheds entirely new light on the ways in which the production and reception of handdrawn images of the nebulae in the nineteenth century contributed to astronomical observation. Omar W. Nasim investigates hundreds of unpublished observing books and paper records from six nineteenth-century observers of the nebulae: Sir John Herschel; William Parsons, the third Earl of Rosse; William Lassell; Ebenezer Porter Mason; Ernst Wilhelm Leberecht Tempel; and George Phillips Bond. Nasim focuses on the ways in which these observers created and employed their drawings in data-driven procedures, from their choices of artistic materials and techniques to their practices and scientific observation. He examines the ways in which the act of drawing complemented the acts of seeing and knowing, as well as the ways that making pictures was connected to the production of scientific knowledge. An impeccably researched, carefully crafted, and beautifully illustrated piece of historical work, Observing by Hand will delight historians of science, art, and the book, as well as astronomers and philosophers.