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|Author||: Annemarie Iverson|
|Editor||: Potter Style|
If you've ever dreamed of working at Vogue, photographing supermodels, or outfitting celebrities, In Fashion will equip you with everything you need to know to get an “in” into fashion. Former beauty and fashion news director of Harper's Bazaar and editor in chief of Seventeen, Annemarie Iverson—the outsider’s insider—knows just how to get noticed and stay on top. In Fashion is packed with her insightful tips, along with advice from leaders at Michael Kors, Bergdorf Goodman, Condé Nast, and more. Straightforward, honest, and insightful, Iverson has put together a book that will help you determine your best fashion career fit will providing a bird’s eye view into the most elite fashion companies. Along the way, you’ll learn what school may be best for you, as well as how to write a chic resume, handle the pressures of a fast-paced environment, hone your skills to make you a success in your ideal job, and more. The most comprehensive guide available for a notoriously competitive industry, In Fashion exposes all of its seams, with plenty of details on what it's like to work at dozens of of elite and cutting-edge companies. Whether you're just getting started or are considering a career switch, In Fashion offers all the resources you need to land your dream job in fashion.
|Author||: Valerie Steele|
|Editor||: Editions Assouline|
In this magnificent COLLECTION of the most iconic dresses of the twentieth century, Valerie Steele flexes her curatorial muscle. From Poiret to Pucci, Doucet to Dior, Vionnet to Valentino, she selects the 100 dresses that caused a stir on the runway or as they entered a room and ultimately inspired a new direction in fashion. Steele's selections include Fortuny's streamlined Delphos gown circa 1907, Madame Grès's sublimely draped goddess creations from 1938, Issey Miyake's 1982 evening ensemble with a rattan top that appeared on the cover of ArtForum, and Hussein Chalayan's awe-inspiring table skirt from 2000. The COLLECTION, while certainly subjective, is sure to receive nods of recognition, along with a gasp (or two) of surprise.
|Author||: Ulinka Rublack,Maria Hayward,Jenny Tiramani|
|Editor||: Bloomsbury Publishing|
This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.
|Author||: Patrik Aspers|
|Editor||: Psychology Press|
Interest in contemporary cultural industries has grown in the past decade, as they take on a greater significance in our increasingly consumer-led society. Focusing on the world of fashion photography, this book presents an interdisciplinary approach in which this and other aesthetic markets, such as advertising, modelling, art, music and more, can be viewed. The main thrust of this groundbreaking book, is in developing a theory for these cultural markets, characterized by insecurity, and where status and aesthetic diversity generate order and price differentiation. In these industries, services and products are offered that are a mix of the aesthetic and the economic, and for fashion photographers such as those studied here, it is necessary to carefully position themselves in the market by developing unique photographic styles and separating themselves from competitors. Yet the markets in which these industries operate differ from the type of exchange markets depicted by neoclassical economists, and therefore cannot be considered using such modes of analysis. Instead Aspers conducts his study using empirical phenomenology, an original approach presented here for the first time, which can be easily used in other empirical studies. He draws on original empirical material; participant observation and interviews generated in New York and Stockholm; which bring a depth of analysis and a relevance to this book which academics, researchers and those with a vested interest in such industries will value. Written by one of the world's brightest young economic sociologists, this fascinating book (previously published in Sweden and enthusiastically received) is endorsed by recognized industry authorities. A noteworthy book, it provides a foothold in the burgeoning sub discipline of economic sociology, and a significant analysis of the economics of the fashion photography industry.
|Author||: Phaidon Editors|
|Editor||: Phaidon Press|
The Fashion Book takes a fresh look at the fashion world and the people who created and inspired it. Spanning almost 200 years, the entire industry is represented; from clothing and footwear designers, to photographers, stylists, icons and retailers, including the new category of educational institutions that have been fundamental in the careers of many of the creative individuals. Marking the significant changes on the fashion landscape since the first edition, this revision includes updates on existing entries as well as important new names who have fundamentally shaped the way we see fashion, from designers such as Nicholas Ghesquière, Gareth Pugh and Phoebe Philo, influential image makers Mert and Marcus and Mario Sorrenti, and contemporary icons Lady Gaga and Tilda Swinton, representing just a few of the many exciting new figures. New faces rub shoulders with the fashion pioneers of the original edition; such as Coco Chanel, Issey Miyake, Yves Saint Laurent, Kate Moss and Helmut Newton. In keeping in the reference style of the first edition, this new edition reflects a comprehensive view of the fashion industry today. Easy to use and filled with inspirational images, The Fashion Book is organized as an A-Z guide of names, listing 576 entries across the categories of clothing and accessory designers, photographers, institutions, models and those iconic individuals who instigated or symbolize a whole fashion movement. Cutting through the usual classifications, and organized alphabetically, the book creates unexpected juxtapositions that make fascinating and unlikely partnerships: the powerful Anna Wintour sits opposite the pioneer of modern fashion, Charles Worth while Terry Richardson rubs shoulders with Herb Ritts, and digital print wunderkind Mary Katranzou meets Rei Kawakubo. Each entry is illustrated with a photograph or drawing from the most important creative talents in the industry - showing a quintessential aspect of their work. An accompanying text describes where they fit into the fashion story and includes essential biographical information about the subject. In addition, The Fashion Book uses a comprehensive cross-referencing system and glossary which explain the many collaborations and techniques used in fashion, that singular business which lives somewhere between art and commerce.
|Author||: Jonathan Faiers,Mary Westerman Bulgarella|
|Editor||: Bloomsbury Publishing|
Color speaks a powerful cultural language, conveying political, sexual, and economic messages that, throughout history, have revealed how we relate to ourselves and our world. This ground-breaking compilation is the first to investigate how color in fashionable and ceremonial dress has played a significant social role, indicating acceptance and exclusion, convention and subversion. From the use of white in pioneering feminism to the penchant for black in post-war France, and from mystical scarlet broadcloth to the horrors of arsenic-laden green fashion, this publication demonstrates that color in dress is as mutable, nuanced, and varied as color itself. Divided into four thematic parts – solidarity, power, innovation, and desire – each section highlights the often violent, emotional histories of color in dress across geographical, temporal and cultural boundaries. Underlying today's relaxed attitude to color lies a chromatic complexity that speaks of wars, migrations and economics. While acknowledging the importance that technology has played in the development of new dyes, the chapters explore color as a catalyst for technical innovation that continues to inspire designers, artists, and performers. Bringing together cutting-edge contributions from leading scholars, it is essential reading for academics of fashion, textiles, design, cultural studies and art history.
|Author||: Amy de la Haye|
|Editor||: Yale University Press|
Examples from jewelry, millinery, handbags, perfume, couture, and everyday dress show how the rose--both beautiful and symbolic--has inspired fashion over hundreds of years.
|Author||: Claudia E. Henninger,Panayiota J. Alevizou,Helen Goworek,Daniella Ryding|
This book provides a critical insight into sustainability and fashion in a retailing and marketing context. Examining a truly global industry, Sustainability in Fashion offers international application with a view to contextualising important developments within the industry. Contributors use their diverse backgrounds and expertise to provide a contemporary approach in examining key theoretical concepts, constructs and developments. Topics include consumer behaviour, communications, circular economy and supply chain management. The individual chapters focus on sustainability and provide a range of fashion sector examples from high street to luxury apparel.
|Author||: June Breton Fisher|
This epic biography tells the story of the rise of Wall Street and the growth of Goldman Sachs from a small commercial paper company to the international banking business we know today. At its heart is the story of Henry Goldman, a man who spoke out passionately for his beliefs, understood the importance of the bottom line, and was known to chuckle, draw on his cigar, and remind his young protégés, "Just keep in mind . . . Money is always in fashion." Though you will rarely find a mention of him in the official history of Goldman Sachs, it was Henry who established many of the practices of modern investment banking. He devised the plan that made Sears, Roebuck Co. the first publicly owned retail operation in the world, helped convince Woodrow Wilson to pass the Federal Reserve Act of 1913, and became a power player in the world of Wall Street finance at a time when Jews were considered outsiders. The book traces Henry Goldman's hard-fought and often frustrating career with Goldman Sachs, a company founded by his father Marcus and fraught with professional rivalries. The tensions between the Goldman and Sachs families extended outside of the boardroom and into the larger world as the United States went to war. Henry's steadfast support for Germany during World War I would tarnish his reputation and drive him from the firm. But his involvement with finance would continue throughout his life, as would close friendships with luminaries like Albert Einstein, whom he would later join in outspoken denunciation of Hitler's atrocities against European Jews. Here, June Breton Fisher, Henry Goldman's granddaughter, tells his whole story for the first time—a story that has shaped contemporary finance and continues to resonate with us today.
|Author||: Jeanne Beker|
|Editor||: Penguin Canada|
International fashion icon Jeanne Beker dishes on her life on and off the runway More than 30 years ago, Jeanne Beker set out to live a life that was not just great, but extraordinary. In Finding Myself in Fashion, she recalls some of the high and low points of the turbulent past decade. Personally, she dealt with heartbreak (the end of her marriage) and rediscovered romance. Professionally, she suffered setbacks that became learning experiences leading to new career paths. She travelled the world with FQ Magazine; witnessed epic events and conducted intimate interviews as a fashion reporter; launched her own clothes labels; wrote newspaper columns; and hosted or appeared on innumerable television shows. Through it all, both at home and at work, she stuck to her youthful resolution. This is Jeanne's candid account of a life lived to the max.
Toward a Multimodal Analysis of Metaphor in Fashion Discourse Examples from the Covers of the International Chinese Edition of Vogue
|Author||: Lauren Goldstein Crowe|
An extraordinary biography of Isabella Blow, whose pedigree, wild style, and outrageous antics catapulted her onto the London social scene and made her a fashion icon. In 2007, the news of Isabella Blow's suicide at the age of 48 made headlines around the world—but there is more to the story of Isabella than her tragic end. The key supporter and muse of milliner Philip Treacy and designer Alexander McQueen, Blow was truly more than a muse or patron. She was a spark, an electrical impulse that set imaginations racing, an individual who pushed others to create their best work. Her fascination with clothing began early, as did a willingness to wear things—and say things—that would amuse and shock. She began her fashion career in New York City as assistant to Anna Wintour at Vogue. Over time she became famous for her work, yet it wasn't enough to assuage her devastating feelings of inadequacy. Still, in her darkest moments, even as she began a series of suicide attempts and prolonged hospital stays, Blow retained her wicked sense of humor, making her friends laugh even as they struggled to help. Lauren Goldstein Crowe has crafted a superbly entertaining narrative; wrapping the anecdotes of Isabella's antics around a candid, insightful portrayal of a woman whose thirst for the fantastical ultimately became irreconcilable with life in the real world.
|Author||: Penelope Rowlands|
|Editor||: Simon and Schuster|
Carmel Snow, who changed the course of our culture by launching the careers of some of today's greatest figures in fashion and the arts, was one of the most extraordinary women of the twentieth century. As editor in chief of Harper's Bazaar from 1934 to 1958 she championed the concept of "a well-dressed magazine for the well-dressed mind," bringing cutting-edge art, fiction, photography, and reportage into the American home. Now comes A Dash of Daring, a first and definitive biography of this larger-than-life figure in publishing, art, and letters. Veteran magazine journalist Penelope Rowlands describes the remarkable places Snow frequented and the people whose lives she transformed, among them Richard Avedon, Diana Vreeland, Geoffrey Beene, Henri Cartier-Bresson, Cristobal Balenciaga, Lauren Bacall, and Truman Capote. She chronicles Snow's life on both sides of the Atlantic, beginning in nineteenth-century Ireland and continuing to Paris, Milan, and New York City, the fashion capitals of the world. Snow was the daughter of an Irish immigrant, who was herself a forward-thinking businesswoman, and she worked in her mother's custom dressmaking shop before being discovered by the magazine publisher Conde Nast and training under Edna Woolman Chase, the famous longtime editor of Vogue. From there it was on to Harper's Bazaar which, with the help of such key employees as Avedon, Vreeland, and art director Alexei Brodovitch, Snow turned into the most admired magazine of the century. Among the disparate talents who worked at Bazaar in the Snow era were Andy Warhol, the heiress Doris Duke, Maeve Brennan, and members of the storied Algonquin Round Table. Overflowing with previously untold stories of the colorful and glamorous, A Dash of Daring is a compelling portrait of the fashion world during a golden era.
|Author||: Prudence Glynn|
|Editor||: Oxford University Press, USA|
A thematic discussion of twentieth-century clothing design views fashions in light of art, social change, chemical and technological advances, and the growth of the fashion industry
|Author||: Ingrid Mida,Alexandra Kim|
|Editor||: Bloomsbury Publishing|
The Dress Detective is the first practical guide to analyzing fashion objects, clearly demonstrating how their close analysis can enhance and enrich interdisciplinary research. This accessible book provides readers with the tools to uncover the hidden stories in garments, setting out a carefully developed research methodology specific to dress, and providing easy-to-use checklists that guide the reader through the process. Beautifully illustrated, the book contains seven case studies of fashionable Western garments – ranging from an 1820s coat to a 2004 Kenzo jacket – that articulate the methodological framework for the process, illustrate the use of the checklists, and show how evidence from the garment itself can be used to corroborate theories of dress or fashion. This book outlines a skillset that has, until now, typically been passed on informally. Written in plain language, it will give any budding fashion historian, curator, or researcher the knowledge and confidence to analyze the material in front of them effectively.
|Author||: Jeanne Beker|
|Editor||: Tundra Books|
The dynamic author-illustrator team of Jeanne Beker and Nathalie Dion again work their magic in this comprehensive career guide, with a detailed resource section at the back, for those who dream of working in fashion. The famous Coco Chanel said that fashion “is something in the air … you feel it coming,” and this book captures the excitement, inspiration, and passion of the whole industry. From agent to designer, model, photographer, stylist, makeup artist, retail fashion director, publicist, journalist, fashion illustrator, creative director, editor-in-chief, trend forecaster, fashion show producer, color specialist, and personal shopper to all the people behind the scenes, Jeanne Beker informs, entertains, and inspires. Discover the ins and outs of fashion production, the players, and who deciphers what’s hot. In this common-sense career guide, Jeanne Beker’s down-to-earth approach, peppered with quotes and mini profiles of successful fashion people, lets us explore what we love about fashion while receiving practical advice on how to break into this diverse and creative industry. As in their collaboration for The Big Night Out, Jeanne Beker and Nathalie Dion dazzle us with a whole new world of possibilities.
|Author||: Elaine Stone|
|Editor||: Fairchild Books|
In Fashion: Fun! Fame! Fortune! prepares students to meet the challenges of a career in today's fashion business. This new text covers a basic understanding of fashion history; design and product development; textile, leathers and furs; apparel and accessories, as well as the retail businesses that sell fashion merchandise. Stone draws on her extensive background to capture the intensity, vigour, energy and motion of the fashion business.