A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance. First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern classics. Now fully revised and updated, this educational edition includes chapter summaries, comprehension questions, discussion points, classroom activities, a biographical profile of Golding, historical context relevant to the novel and an essay on Lord of the Flies by William Golding entitled 'Fable'. Aimed at Key Stage 3 and 4 students, it also includes a section on literary theory for advanced or A-level students. The educational edition encourages original and independent thinking while guiding the student through the text - ideal for use in the classroom and at home.
Golding’s iconic 1954 novel, now with a new foreword by Lois Lowry, remains one of the greatest books ever written for young adults and an unforgettable classic for readers of any age. This edition includes a new Suggestions for Further Reading by Jennifer Buehler. At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate. This far from civilization they can do anything they want. Anything. But as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far removed from reality as the hope of being rescued.
William Golding’s unforgettable classic of boyhood adventure and the savagery of humanity comes to Penguin Classics in a stunning Graphic Deluxe Edition with a new foreword by Lois Lowry As provocative today as when it was first published in 1954, Lord of the Flies continues to ignite passionate debate with its startling, brutal portrait of human nature. William Golding’s compelling story about a group of very ordinary boys marooned on a coral island has been labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, and even a vision of the apocalypse. But above all, it has earned its place as one of the indisputable classics of the twentieth century for readers of any age. This Penguin Classics Graphic Deluxe Edition features an array of special features to supplement the novel, including a foreword by Lois Lowry, an introduction by Stephen King, an essay by E. M. Forster, an essay on teaching and reading the novel and suggestions for further exploration by scholar Jennifer Buehler, and an extended note by E. L. Epstein, the publisher of the first American paperback edition of Lord of the Flies. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The debut cookbook from the popular New York Times website and mobile app NYT Cooking, featuring 100 vividly photographed no-recipe recipes to make weeknight cooking more inspired and delicious. You don’t need a recipe. Really, you don’t. Sam Sifton, founding editor of New York Times Cooking, makes improvisational cooking easier than you think. In this handy book of ideas, Sifton delivers more than one hundred no-recipe recipes—each gloriously photographed—to make with the ingredients you have on hand or could pick up on a quick trip to the store. You’ll see how to make these meals as big or as small as you like, substituting ingredients as you go. Fried Egg Quesadillas. Pizza without a Crust. Weeknight Fried Rice. Pasta with Garbanzos. Roasted Shrimp Tacos. Chicken with Caramelized Onions and Croutons. Oven S’Mores. Welcome home to freestyle, relaxed cooking that is absolutely yours.
During The Post-War Years The Experimental Tendency In British Novel Continued, But The Critics Lamented That The Mid-Twentieth Century British Literature Produced No Ulysses. William Golding S Lord Of The Flies (1954) Was Accepted As An Experiment With The Restoration Of Fable In English Fiction, A Reconstruction At An Adult Level Of R.M. Ballantyne S Coral Island. Thanks To The Nobel Prize Awarded To Golding In 1983, Lord Of The Flies Came To The Limelight And Its Underlying Philosophy Has Been Variously Interpreted Since Then. In The Face Of An Upsurge In Golding Criticism, And More Specifically, In Lord Of The Flies, The Novel Demands Fresh Discussions. The Present Book Seeks To Acquaint The Readers First With The Theme Of The Novel, And Then With The Discourses Invited By The Theme.A Detailed Analysis Of Each Of The Chapters Of The Novel Is The Special Attraction Of This Critical Study. It Is Not Just A Summary, But A Critical Analysis Of The Events, Symbols, Images And Reflections Of The Characters Introduced In The Novel. The Chapter-Wise Discussion Will Inspire The Readers To Go Through The Original Text Thoroughly For Having A First Hand Knowledge Of Golding S Art. It Will Also Help The Readers To Develop An Understanding Of Golding As A Novelist Even Before Reading The Original Text.The Chapters On Golding S Concept Of Evil And The Innate Depravity Of Man, Potential Savagery Of Children, Sin And Expiation, The Post-World War Scenario And Elements Of Post-Colonial Writing Are Designed To Project Lord Of The Flies As A Post-Colonial Novel Of Ideas. The Book Also Contains Separate Chapters On Narrative Skill, Characterization, Plot And Structure Which Are Helpful For The Students. The Discussion Is Marked By A Critical Insight That Serves Not Only The Advanced Scholars But Also The Common Students Who Will Be Benefited By The Lucid Presentation.
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1.0, University of Cologne (Englisches Seminar), course: Cinematic (Re-) Creation, 26 entries in the bibliography, language: English, comment: This paper investigates some of the key aspects of "Lord of the Flies," such as characterisation, narration, and symbolism. It discusses some of the philosophical theories which the novel is based on (i.e. Hobbes, Rousseau). Furthermore the book's role as an anti-robinsonade will be taken into account. The second part of the paper will contrast the novel against the filmic adaptation by Harry Hook and point out some parallels and differences between the two pieces of work., abstract: Lord of the Flies was first published in 1954 and from then on has been read by millions of pupils, students and adults. Today the book is still popular as it deals with a subject that is timeless and fundamental: the human struggle between civilisation and the savage instinct. The book is a fable showing how the inherent evil in man's nature threatens order in a society. Golding uses an allegorical story to illustrate this threat to civilisation. Because of it's timeless topic and because it is an ideal showcase for allegorical structure and literary analysis the novel has been dealt with in numerous school lessons and university courses. This paper gives an overview of some aspects of Lord of the Flies which are important for understanding the text and interpreting the film. I will first investigate how the characters are presented in the book and comment on some narrative aspects. I will then go on to discuss the role of the book as an anti-robinsonade in the historical context of the English novel. I will also point out some philosophical aspects of Lord of the Flies. I am going to focus on aspects of the view of human nature as argued by Thomas Hobbes in his book The Leviathan and contrast it against the philosophy of Jean Jacq
A little girl - Han - is sold, aged four, as a bondmaid or slave into the House of Wu, where she grows up and falls in love with the young heir. But the idyll of childhood attachment turns into a nightmare as Han, beautiful, proud and uncompromisingly loyal, struggles against the forces of tradition and tyranny in a large household where patriarchs and matriarchs wield inexorable power, lustful male relatives watch young bondmaids to claim their rightful share of pleasure, visiting monks devise ingenious schemes to combine holy public duty with unbridled private indulgence, and gods and goddesses smile to see the human drama unfold.
Commissioned by the leading actor Alastair Sim (1900-1976) The Brass Butterfly was Golding's only original stage play. Starring Sim himself, and also the popular actor George Cole, it opened for a provincial pre-West End run in Oxford in early 1958 and premiered at the Strand Theatre in London in April. In his biography of Golding, John Carey describes it as 'a comic scherzo' dealing with the conflict between science and religion, transposed to the Greco-Roman world of antiquity.