Your Book is AVAILABLE NOW !!!
There are many choices of the "Making Art" Pdf, ePub, Mobi and Audiobook. You can Read and Download as much as you want after registering for FREE.
|Author||: W. Patrick Mccray|
|Editor||: MIT Press|
The creative collaborations of engineers, artists, scientists, and curators over the past fifty years. Artwork as opposed to experiment? Engineer versus artist? We often see two different cultural realms separated by impervious walls. But some fifty years ago, the borders between technology and art began to be breached. In this book, W. Patrick McCray shows how in this era, artists eagerly collaborated with engineers and scientists to explore new technologies and create visually and sonically compelling multimedia works. This art emerged from corporate laboratories, artists' studios, publishing houses, art galleries, and university campuses. Many of the biggest stars of the art world--Robert Rauschenberg, Yvonne Rainer, Andy Warhol, Carolee Schneemann, and John Cage--participated, but the technologists who contributed essential expertise and aesthetic input often went unrecognized.
|Author||: Marsha Meskimmon|
Women have been making art for centuries, yet their work has been seen as secondary or has gone unrecognized altogether. Women Making Art asks why this is so, and what it would take for us to realize the extent of women's extraordinary contribution to the arts. Marsha Meskimmon mobilizes contemporary feminist thinking to reconsider how and why women have made art. She examines work by a wide range of women artists from different cultures and historical periods, including Rebecca Horn, Rachel Whiteread, Shirin Neshat and Maya Lin, emphasizing the diversity of women's art and the importance of differences between women.
|Author||: Tim Ingold|
Making creates knowledge, builds environments and transforms lives. Anthropology, archaeology, art and architecture are all ways of making, and all are dedicated to exploring the conditions and potentials of human life. In this exciting book, Tim Ingold ties the four disciplines together in a way that has never been attempted before. In a radical departure from conventional studies that treat art and architecture as compendia of objects for analysis, Ingold proposes an anthropology and archaeology not of but with art and architecture. He advocates a way of thinking through making in which sentient practitioners and active materials continually answer to, or ‘correspond’, with one another in the generation of form. Making offers a series of profound reflections on what it means to create things, on materials and form, the meaning of design, landscape perception, animate life, personal knowledge and the work of the hand. It draws on examples and experiments ranging from prehistoric stone tool-making to the building of medieval cathedrals, from round mounds to monuments, from flying kites to winding string, from drawing to writing. The book will appeal to students and practitioners alike, with interests in social and cultural anthropology, archaeology, architecture, art and design, visual studies and material culture.
|Author||: Terry Barrett|
|Editor||: McGraw-Hill Education|
This comprehensive introduction to art and design explores making artifacts as a process of making meaning. Making Art: Form and Meaning offers a framework for understanding how all the aspects of an artwork--subject matter, medium, form, process, and contexts--interact. The text's wide array of examples and its emphasis on late-modernism and postmodern art give students a thorough look at the expressive possibilities of traditional design elements and principles and contemporary practices, including the use of computer-based, time-based, and lens-based media. With artist quotes, clearly defined key terms, and a chapter dedicated to studio critiques, Making Art allows students to join the conversation of contemporary art and gives them a jump start in thinking and talking about their work using the language and concepts of today's art world.
|Author||: Debra Higgs Strickland|
|Editor||: Princeton University Press|
These images, which reached a broad and socially varied audience across Western Europe, appeared in virtually all artistic media, including illuminated manuscripts, stained glass, sculpture, metalwork, and tapestry.".
|Author||: Kim Woods,Carol M. Richardson,Angeliki Lymberopoulou|
|Editor||: Yale University Press|
This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life. Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.
|Author||: Cat Bennett|
|Editor||: Simon and Schuster|
Helping artists catapult into further action, this guide is a treasury of insight and inspiration. Rather than focus on art techniques that build skills or overcome creative blocks through playful activities or writing, this guide walks the artist through exercises designed to develop the personal qualities critical to being an artist in the world, such as courage, the ability to look and see, and connection to the true creative self. This is a hands-on, experiential action book designed to get the reader creating art and exploring a variety of possibilities for being an artist. According to the teachings of this handbook, engagement with art is less about end results or products and more about the self-awareness and competence that frees the artist to seek out and create work that is vital. This is a rigorous programme that allows artists of any skill level to deepen their creative habits and be the best artists possible.
|Author||: Brainard Carey|
|Editor||: Skyhorse Publishing Inc.|
Presents a career development guide for artists, covering such topics as evaluating works, submitting art to museums and galleries, organizing events, raising funds, and using social media to promote one's art.
|Author||: Jane M. Bowers,Judith Tick|
|Editor||: University of Illinois Press|
"Do look after my music!" Irene Wienawska Polowski exclaimed before her death in 1932. And from the urgency of that sentiment the authors here have taken their cue to reveal and "look after" the previously neglected contributions of women throughout the history of Western art music. The first work of its kind, Women Making Music presents biographies of outstanding performers and composers, as well as analyses of women musicians as a class, and provides examples of music from all periods including medieval chant, Renaissance song, Baroque opera, German lieder, and twentieth-century composition. Unlike most standard historical surveys, the book not only sheds light upon the musical achievements of women, it also illuminates the historical contexts that shaped and defined those achievements.
|Author||: Mark Lilla,Philip Fisher|
The Italian scholar Giovanni Battista Vico is widely viewed as the first modern philosopher of history, a judgment largely based on his obscure 1744 masterpiece, New Science. In this new study Mark Lilla complicates this picture by presenting Vico as one of the most troubling of anti-modern thinkers. By combing Vico's neglected early writings on metaphysics and jurisprudence, Lilla reveals the philosopher's deep reservations about the modern outlook and shows how his science of history grew out of these very doubts. In works such as the untranslated Universal Right (1720-1722), a treatise on natural law, Vico emerges as a profoundly political and theological thinker who contrasted the authoritative traditions of an idealized Rome against the corrupting skepticism endemic in modern life. Vico explicitly blamed this skepticism on the founders of modern philosophy, particularly Descartes. Placed in the context of his critique of skepticism, Vico's "new science" of history appears in a wholly new light. Though modern in form, it can be seen here for what it was: a pessimistic vindication of divine authority directed against the freedom and reason that characterize the modern age. This first truly comprehensive introduction to Vico ties his concerns for authority, politics, and civil religion to his theory of history. As such, it raises provocative questions about the subsequent intellectual development of the anti-modern tradition as it relates to the historical and social sciences of our time. It is a brilliant antidote to the "standard" reading of Vico and will transform studies of his work.
|Author||: Swami Chinmayananda|
|Editor||: Central Chinmaya Mission Trust|
Pujya Gurudev Swami Chinmayananda made it a priority to revive the young generation of Indians, who were drifting through life without any clear goals, vision or direction. He believed that growth of the newly independent India could only be achieved by a motivated and clear-headed generation of youngsters. In order to inspire the youngsters of India and show them the possibilities of a nobler life, Gurudev delivered a series of fiery 10-minute talks on All India Radio, based on the Bhagavad-gita. He gave this ancient wisdom a contemporary context and presented in a form that was palatable and practical to the modern youngsters. Although delivered in the 1960s, these teachings are as relevant, fresh and inspiring today as they were 40 years ago. 114 SHORT TALKS ON THE BHAGAVAD-GITA
|Author||: Howard Singerman|
|Editor||: Univ of California Press|
"Few sites within the university open a richer critical reflection than that of the M.F.A., with its complex crossing of professionalism, theory, humanistic knowledge, and the absolute exposure of practice. Howard Singerman's Art Subjects does a magnificent job of both laying out our current crises, letting us see the shards of past practices embedded in them, and of demonstrating—rendering urgent and discussable—what it now means either to assume or award the name of the artist."—Stephen Melville, author of Seams, editor of Vision and Textuality "Art Subjects is a must read for anyone interested in both the education and status of the visual artist in America. With careful attention to detail and nuance, Singerman presents a compelling picture of the peculiarly institutional myth of the creative artist as an untaught and unteachable being singularly well adapted to earn a tenure position at a major research university. A fascinating study, thoroughly researched yet oddly, and movingly, personal."—Thomas Lawson, Dean, Art School, CalArts
|Author||: Caroline Grimshaw|
|Editor||: World Book|
Kids choose to read these books straight through or they can follow the 'guides', which will lead them to all of the information on a specific subject. Exploring the world with a question-and-answer format. Bite-sized information is perfect for children with short attention spans.
|Author||: Terttu Tuomi-Gröhn|
|Editor||: Peter Lang|
The word 'everyday' is usually loaded with decidedly negative connotations. However, domestic everyday activities are not merely routine work, but also include complex, demanding tasks to solve. Even though everyday problem solving does not necessarily follow logical pathways, it is sensible and effective in handling practical problems. The studies presented in this book explore domestic everyday making, in terms of the kinds of cognitive, social, and practical tasks being faced and the types of skills needed in solving these tasks. The studies also illustrate the different research strategies appropriate to the investigation of the art and skills of domestic everyday making. The target audience of this book includes researchers and students of family and consumer studies, home economics and craft sciences, cultural studies and sociology. Because of the twofold aim of the book, it can be used as a textbook for both content as well as methodological studies.
|Author||: Stanley Marianski,Adam Mariański|
|Editor||: Bookmagic LLC|
The art and secrets of making fermented sausages finally revealed. The majority of books written on making sausages do not tackle the subject of fermented sausages at all. The topic is limited to a statement that this is an advanced field of sausage making which is not recommended for an amateur sausage maker. Well, the main reason for writing this book was that the authors did not share this opinion. On the contrary, they believed that any hobbyist could make wonderful salami at home, if he only knew how. For thousands of years we have been making dry fermented sausages without any understanding of the process involved. Only in the past 60 years, sufficient advances were made in the field of meat science which explained the fermentation and drying of meats. Until then, the manufacturing process was shrouded in secrecy, and was more a combination of art and magic than a solid science. Highly technical papers were published in Food Technology journals, unfortunately these works were written in such difficult terms, that they were beyond the comprehension of the average sausage maker. Thus was born the idea of bridging the technology gap that existed between Meat Science and the requirements of the typical hobbyist making products at home. With more information obtainable every day, and commercial starter cultures available to the public, there is little reason to abstain from making quality salamis at home, regardless of the climate and outside conditions.
|Editor||: Awareness Publishing|
A biography of the artist Dumile Feni, describing his difficult childhood and struggle to survive as an artist, his many years in exile in England and the United States of America, his drawings and sculptures, and his early death.