This striking collection presents the most remarkable short works of Junji Ito’s career, featuring an adaptation of Rampo Edogawa’s classic horror story “Human Chair” and fan favorite “The Enigma of Amigara Fault.” With a deluxe presentation—including special color pages, and showcasing illustrations from his acclaimed long-form manga No Longer Human—each chilling tale invites readers to revel in a world of terror. -- VIZ Media
A "best of" collection of creepy tales from Eisner award winner and legendary horror master Junji Ito. This ultimate collection presents the most remarkable short works of Junji Ito’s career, featuring an adaptation of Rampo Edogawa’s classic horror story "Human Chair" and fan favorite "The Enigma of Amigara Fault." In a deluxe presentation with special color pages and color illustrations from his most recent long-form manga No Longer Human, every page invites readers to revel in a world of terror.
An arm peppered with tiny holes dangles from a sick girl’s window... After an idol hangs herself, balloons bearing the faces of their destined victims appear in the sky... An amateur film crew hires an extremely individualistic fashion model and faces a real bloody ending... An offering of nine fresh nightmares for the delectation of horror fans. -- VIZ Media
Kurôzu-cho, a small fogbound town on the coast of Japan, is cursed. According to Shuichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but by a pattern: "uzumaki," the spiral, the hypnotic secret shape of the world which causes the inhabitants to go mad.
Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.
HELL-O-KITTY Master of Japanese horror manga Junji Ito presents a series of hissterical tales chronicling his real-life trials and tribulations of becoming a cat owner. Junji Ito, as J-kun, has recently built a new house and has invited his financée, A-ko, to live with him. Little did he know…his blushing bride-to-be has some unexpected company in tow—Yon, a ghastly-looking family cat, and Mu, an adorable Norwegian forest cat. Despite being a dog person, J-kun finds himself purrsuaded by their odd cuteness and thus begins his comedic struggle to gain the affection of his new feline friends.
A pair of twisted siblings-Yuuma, a young man obsessed with the devil, and Chizumi, the worst little sister in recorded history-cause all sorts of tragic and terrifying things to happen wherever they go. These scary short stories will shock you with a literal interpretation of the ills that plague modern society.
A new collection of delightfully macabre tales from a master of horror manga. An old wooden mansion that turns on its inhabitants. A dissection class with a most unusual subject. A funeral where the dead are definitely not laid to rest. Ranging from the terrifying to the comedic, from the erotic to the loathsome, these stories showcase Junji Ito’s long-awaited return to the world of horror. -- VIZ Media
Tomie Kawakami is a femme fatale with long black hair and a beauty mark just under her left eye. She can seduce nearly any man, and drive them to murder as well, even though the victim is often Tomie herself. While one lover seeks to keep her for himself, another grows terrified of the immortal succubus. But soon they realize that no matter how many times they kill her, the world will never be free of Tomie. -- VIZ Media