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Transmigration of Bodies 2 3 4 5 Note to the Reader Subscribers Current and Upcoming Books About the Author and Translator
|Author||: Lisa Dillman|
The things people inscribe on tombstones, even if only with their breath. Erasing those things is what the Redeemers there for.
|Author||: Yuri Herrera|
|Editor||: Text Publishing|
‘Yuri Herrera has been described as Mexico’s greatest living novelist...Believe the hype.’ Readings In the court of the King, everyone knows their place. But as the Artist wins hearts and egos with his ballads, uncomfortable truths emerge that shake the Kingdom to its core. Part surreal fable and part crime romance, Kingdom Cons by Yuri Herrera questions the price of keeping your integrity in a world ruled by patronage and power. Described as ‘Mexico’s greatest novelist’, Yuri Herrera has followed up The Transmigration of Bodies and Signs Preceding the End of the World with an extraordinary story about passion and violence, about the vital role of the Artist in our society, and about the strangeness of our world. Born in Actopan, Mexico, in 1970, Yuri Herrera studied Politics in Mexico, Creative Writing in El Paso and took his PhD in literature at Berkeley. His first novel to appear in English, Signs Preceding the End of the World, was published to critical acclaim in 2015 and included in many Best-of-Year lists, as did his second novel, The Transmigration of Bodies, in 2016. He is currently teaching at the University of Tulane in New Orleans. ‘Herrera creates a radically new language and condenses into a few pages what other authors need hundreds to convey...a surprising literary jewel’ Nation ‘Mexico’s Yuri Herrera is a rare thing: a writer to get truly excited about...It is writing that is simultaneously concise and epic, dynamically plotted and intelligent, aware of literary heritage and stunningly original...This is writing that demands and deserves attention.’ Saturday Paper on The Transmigration of Bodies and Signs Preceding the End of the World ‘Yuri Herrera is Mexico’s greatest novelist. His spare, poetic narratives and incomparable prose read like epics compacted into a single perfect punch—they ring your bell, your being, your soul.’ Francisco Goldman on The Transmigration of Bodies ‘Yuri Herrera must be a thousand years old. He must have travelled to hell, and heaven, and back again. He must have once been a girl, an animal, a rock, a boy, and a woman. Nothing else explains the vastness of his understanding.’ Valeria Luiselli ‘The Artist’s mission statement could speak for the whole of Mr Herrera’s daring and memorable project: “Let them be scared, let the decent take offence. Put them to shame. Why else be an artist?”’ Wall Street Journal ‘At one point in Kingdom Cons The Artist boasts, “If you’re saying what happened, why bother with a song? Corridor aren’t only true; they’re also beautiful and just.” He may come to realise how his corridor can be used to other ends, but Herrera’s novels stay beautiful and just.’ New Republic ‘Kingdom Cons rises above a mere tale of lost innocence or a drug-land eulogy, specifically because it is the language and not the narrative that powers its subject. Herrera’s writing reinvents its own territory with simultaneous streetwise mischief and canonical splendour. At times a Renaissance quill, at other times a tattier’s needle, his syntax misbehaves masterfully, and Lisa Dillman proves herself once again exquisitely loyal to his lyrical disobedience with this translation, its prose so alive that it recalls Roland Barthes’s description of “language lined with flesh”.’ New Statesman ‘His [Herrera’s] books are bracingly taut, his skill with concision impressive.’ National Post ‘Kingdom Cons is captivating in that Yuri Herrera has seemingly wandered off into the deserts of the genre and has come out on another shore of a different planet...crime is mentioned with a side-glance, the role of power is beheld at close attention, and the language itself is short, poetic, elliptical.’ KQPD ‘With his signature palpable lucidity of the uncanny he [Herrera] blends crime romance with elements of surreal fable.’ Better Read Than Dead ‘I would really recommend reading this author, he’s fantastic’ Radio NZ ‘Kingdom Cons is another great novel from a writer at the top of his game, and is a must read for any fans of Latin American or world literature.’ AU Review
|Author||: Marcel Theroux|
|Editor||: Faber & Faber|
Nicholas Slopen has been dead for months. So when a man claiming to be Nicholas turns up to visit an old girlfriend, deception seems the only possible motive. Yet nothing can make him change his story. From the secure unit of a notorious psychiatric hospital, he begins to tell his tale: an account of attempted forgery that draws the reader towards an extraordinary truth - a metaphysical conspiracy that lies on the other side of madness and death. Strange Bodies takes the reader on a dizzying speculative journey that poses questions about identity, authenticity, and what it means to be truly human.
|Author||: Eddie Louise|
Is time travel real? Doctor Petronella sage is determined to find out. So is Justin Bremer, the young scholar in the far future tasked with reviewing Dr. Sage’s timeline. Repeatedly electrocuting herself in order to fling her consciousness through time and space, Petra discovers that death is no barrier to science.
|Author||: Ben Okri,Yuri Herrera,Deborah Levy,Valeria Luiselli|
Twelve contemporary stories inspired by Shakespeare and Cervantes, to mark the 400th anniversaries of their deaths. Introduced by Salman Rushdie.
|Author||: Yuri Herrera|
|Editor||: Text Publishing|
Two astonishing novellas, by ‘Mexico’s greatest novelist’, in one volume. Hilarious and horrifying, Yuri Herrera’s The Transmigration of Bodies is a gritty, feverish novella, written in dazzling prose that is both bawdy and poetic. A plague has brought death to the city. Two feuding crime families with blood on their hands need our hard-boiled hero, The Redeemer, to broker peace. Both his instincts and the vacant streets warn him to stay indoors, but The Redeemer ventures out into the city’s underbelly to arrange for the exchange of the bodies they hold hostage. Lust and crime and a lack of condoms all feature in this brilliant novella about living in a city filled with the dead, and where no one can distinguish between the guilty and the innocent. A response to the violence of contemporary Mexico, with echoes of Romeo and Juliet, Roberto Bolaño and Raymond Chandler, The Transmigration of Bodies is a noir tragedy and a tribute to those bodies—loved, sanctified and defiled—that violent crime has touched. Signs Preceding the End of the World is a masterpiece, haunting and arresting, spare and poetic, a condensed epic about immigration. Yuri Herrera does not simply write about the border between Mexico and the United States and those who cross it. He explores the crossings and translations people make in their minds and language as they move from one country to another, especially when there’s no going back. Traversing this lonely territory is Makina, a young woman who knows only too well how to survive in a violent, macho world. Leaving behind her life in Mexico to search for her brother, she is smuggled into the USA carrying a pair of secret messages—one from her mother and one from the Mexican underworld.
|Author||: Carmen Boullosa|
|Editor||: Grove/Atlantic, Inc.|
A young woman encounters strange events in her Mexican hometown in this novel by an author who “immerses us...in her wickedly funny and imaginative world” (Latina). Leaving Tabasco tells of the coming of age of Delmira Ulloa, raised in an all-female home in Agustini, in the Mexican province of Tabasco. In Agustini it is not unusual to see your grandmother float above the bed when she sleeps, or to purchase torrential rains at a traveling fair, or to watch your family’s elderly serving woman develop stigmata, then disappear completely, to be canonized as a local saint. But as Delmira becomes a woman, she will set out on a search for her missing father, and must make a choice that could mean leaving her home forever, in a tale filled with both depth and delightful mystery that poses questions about just how real the real world is. “To flee Agustini is to leave not just a town but the viscerally primal dreamscape it represents.”— The New York Times Book Review “Vibrant...Each chapter is an adventure.”—The Boston Globe “We happily share with [Delmira] her life, including the infinitely charming town she inhabits [and] her grandmother’s fantastic imagination.”—The Washington Post Book World
|Author||: Trystan T. Cotten|
Transgender Migrations brings together a top-notch collection of emerging and established scholars to examine the way that the term "migration" can be used not only to look at the way trans bodies migrate from one gender to the (an?) other, but the way that trans people migrate in the larger geopolitical contexts of immigration reform, the war on terror, the war on drugs, and the increased policing of national borders. The book centers trans-ing experiences, identities, and politics, and treats these identities as inextricably intertwined with other social identities, institutions, and discourses of sexuality, nationality, race and ethnicity, globalization, colonialism, and terrorism. The chapter authors explore not only the movement of bodies in, through, and across spaces and borders, but also chart the metamorphoses of these bodies in relation to migration and mobility. Transgender Migrations takes the theory documented in The Transgender Studies Reader and blows it up to a global scale. It is the logical next step for scholarship in this dynamic, emerging field.
|Author||: Alex Landragin|
|Editor||: St. Martin's Press|
"A sparkling debut. Landragin’s seductive literary romp shines as a celebration of the act of storytelling." —Publishers Weekly "Romance, mystery, history, and magical invention dance across centuries in an impressive debut novel." —Kirkus Reviews (Starred Review) "Deft writing seduces the reader in a complex tale of pursuit, denial, and retribution moving from past to future. Highly recommended." —Library Journal (Starred Review) Alex Landragin's Crossings is an unforgettable and explosive genre-bending debut—a novel in three parts, designed to be read in two different directions, spanning a hundred and fifty years and seven lifetimes. On the brink of the Nazi occupation of Paris, a German-Jewish bookbinder stumbles across a manuscript called Crossings. It has three narratives, each as unlikely as the next. And the narratives can be read one of two ways: either straight through or according to an alternate chapter sequence. The first story in Crossings is a never-before-seen ghost story by the poet Charles Baudelaire, penned for an illiterate girl. Next is a noir romance about an exiled man, modeled on Walter Benjamin, whose recurring nightmares are cured when he falls in love with a storyteller who draws him into a dangerous intrigue of rare manuscripts, police corruption, and literary societies. Finally, there are the fantastical memoirs of a woman-turned-monarch whose singular life has spanned seven generations. With each new chapter, the stunning connections between these seemingly disparate people grow clearer and more extraordinary. Crossings is an unforgettable adventure full of love, longing and empathy.
|Author||: David Mitchell|
|Editor||: Hodder & Stoughton|
Winner of the Mail on Sunday/John Llewellyn Rhys Prize. A magnificent achievement and an engrossing experience, David Mitchell's first novel announced the arrival of one of the most exciting writers of the twenty-first century. An apocalyptic cult member carries out a gas attack on a rush-hour metro, but what links him to a jazz buff in downtown Tokyo? Or to a Mongolian gangster, a woman on a holy mountain who talks to a tree, and a late night New York DJ? Set at the fugitive edges of Asia and Europe, Ghostwritten weaves together a host of characters, their interconnected destinies determined by the inescapable forces of cause and effect.
|Author||: César Aira,Chris Andrews|
|Editor||: New Directions Publishing|
A middle-class, directionless ox of a young man who helps the trash pickers of Buenos Aires's shantytown attracts the attention of a corrupt policeman who would use anyone including innocent kids to break a drug ring he believes is operating in the slum. By the author of An Episode in the Life of a Landscape Painter. Original.
|Author||: W. G. Sebald|
|Editor||: New Directions Publishing|
"The book is like a dream you want to last forever" (Roberta Silman, The New York Times Book Review), now with a gorgeous new cover by the famed designer Peter Mendelsund The Rings of Saturn—with its curious archive of photographs—records a walking tour of the eastern coast of England. A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne’s skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt’s "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager Empress Tzu Hsi, and the silk industry in Norwich. W.G. Sebald’s The Emigrants (New Directions, 1996) was hailed by Susan Sontag as an "astonishing masterpiece perfect while being unlike any book one has ever read." It was "one of the great books of the last few years," noted Michael Ondaatje, who now acclaims The Rings of Saturn "an even more inventive work than its predecessor, The Emigrants."
|Author||: Robert A. Heinlein|
|Editor||: Baen Publishing Enterprises|
Utopia has been achieved. For centuries, disease, hunger, poverty and war have been things found only in the histories. And applied genetics has given men and women the bodies of athletes and a lifespan of over a century. They should all have been very happy.... But Hamilton Felix is bored. And he is the culmination of a star line; each of his last thirty ancestors chosen for superior genes. Hamilton is, as far as genetics can produce one, the ultimate man. And this ultimate man can see no reason why the human race should survive, and has no intention of continuing the pointless comedy. However, Hamilton's life is about to become less boring. A secret cabal of revolutionaries who find utopia not just boring, but desperately in need of leaders who know just What Needs to be Done, are planning to revolt and put themselves in charge. Knowing of Hamilton's disenchantment with the modern world, they have recruited him to join their Glorious Revolution. Big mistake! The revolutionaries are about to find out that recruiting a superman is definitely not a good idea.... With an all new afterword by Tony Daniel. At the publisher's request, this title is sold without DRM (Digital Rights Management).
|Author||: Emma Reyes|
“Startling and astringently poetic.” —The New York Times A literary discovery: an extraordinary account, in the tradition of The House on Mango Street and Angela’s Ashes, of a Colombian woman’s harrowing childhood This astonishing memoir was hailed as an instant classic when first published in Colombia in 2012, nearly a decade after the death of its author, who was encouraged in her writing by Gabriel García Márquez. Comprised of letters written over the course of thirty years, and translated and introduced by acclaimed writer Daniel Alarcón, it describes in vivid, painterly detail the remarkable courage and limitless imagination of a young girl growing up with nothing. Emma Reyes was an illegitimate child, raised in a windowless room in Bogotá with no water or toilet and only ingenuity to keep her and her sister alive. Abandoned by their mother, she and her sister moved to a Catholic convent housing 150 orphan girls, where they washed pots, ironed and mended laundry, scrubbed floors, cleaned bathrooms, sewed garments and decorative cloths for the nuns—and lived in fear of the Devil. Illiterate and knowing nothing of the outside world, Emma escaped at age nineteen, eventually establishing a career as an artist and befriending the likes of Frida Kahlo and Diego Rivera as well as European artists and intellectuals. The portrait of her childhood that emerges from this clear-eyed account inspires awe at the stunning early life of a gifted writer whose talent remained hidden for far too long. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
|Author||: Mai Der Vang|
|Editor||: Graywolf Press|
The 2016 winner of the Walt Whitman Award of the Academy of American Poets, selected by Carolyn Forché When I make the crossing, you must not be taken no matter what the current gives. When we reach the camp, there will be thousands like us. If I make it onto the plane, you must follow me to the roads and waiting pastures of America. We will not ride the water today on the shoulders of buffalo as we used to many years ago, nor will we forage for the sweetest mangoes. I am refugee. You are too. Cry, but do not weep. —from “Transmigration” Afterland is a powerful, essential collection of poetry that recounts with devastating detail the Hmong exodus from Laos and the fate of thousands of refugees seeking asylum. Mai Der Vang is telling the story of her own family, and by doing so, she also provides an essential history of the Hmong culture’s ongoing resilience in exile. Many of these poems are written in the voices of those fleeing unbearable violence after U.S. forces recruited Hmong fighters in Laos in the Secret War against communism, only to abandon them after that war went awry. That history is little known or understood, but the three hundred thousand Hmong now living in the United States are living proof of its aftermath. With poems of extraordinary force and grace, Afterland holds an original place in American poetry and lands with a sense of humanity saved, of outrage, of a deep tradition broken by war and ocean but still intact, remembered, and lived.