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|Author||: Cyril Hare|
|Editor||: Faber & Faber|
Tragedy at Law follows a rather self-important High Court judge, Mr Justice Barber, as he moves from town to town presiding over cases in the Southern England circuit. When an anonymous letter arrives for Barber, warning of imminent revenge, he dismisses it as the work of a harmless lunatic. But then a second letter appears, followed by a poisoned box of the judge's favourite chocolates, and he begins to fear for his life. Enter barrister and amateur detective Francis Pettigrew, a man who was once in love with Barber's wife and has never quite succeeded in his profession - can he find out who is threatening Barber before it is too late?
|Author||: Derek Dunne|
This book, the first to trace revenge tragedy's evolving dialogue with early modern law, draws on changing laws of evidence, food riots, piracy, and debates over royal prerogative. By taking the genre's legal potential seriously, it opens up the radical critique embedded in the revenge tragedies of Kyd, Shakespeare, Marston, Chettle and Middleton.
|Author||: Marc O. DeGirolami|
|Editor||: Harvard University Press|
Legal scholars expect to resolve religious dilemmas according to principles of equality, neutrality, or separation of church and state. But such abstractions fail to do justice to the clashing values in today’s pluralistic society. Marc DeGirolami explains why conflicts implicating religious liberty are so emotionally fraught and deeply contested.
|Author||: Theodore Dreiser|
This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. Ambitious, but ill-educated, naïve, and immature, Clyde Griffiths is raised by poor and devoutly religious parents to help in their street missionary work. As a young adult, Clyde must, to help support his family, take menial jobs as a soda jerk, then a bellhop at a prestigious Kansas City hotel. There, his more sophisticated colleagues introduce him to bouts of social drinking and sex with prostitutes. Enjoying his new lifestyle, Clyde becomes infatuated with manipulative Hortense Briggs, who takes advantage of him. After being in a car accident in which a young girl loses her life, Clyde is forced to run away from the town in search for the new life.
|Author||: Paul H. Robinson,Sarah M. Robinson|
|Editor||: Rowman & Littlefield|
Can crime make our world safer? Crimes are the worst of humanity’s wrongs but, oddly, they sometimes “trigger” improvement in our lives. Crimes That Changed Our World explores some of the most important trigger cases of the past century, revealing much about how change comes to our modern world. The exact nature of the crime-outrage-reform dynamic can take many forms, and Paul and Sarah Robinson explore those differences in the cases they present. Each case is in some ways unique but there are repeating patterns that can offer important insights about what produces change and how in the future we might best manage it. Sometimes reform comes as a society wrestles with a new and intolerable problem. Sometimes it comes because an old problem from which we have long suffered suddenly has an apparent solution provided by technology or some other social or economic advance. Or, sometimes the engine of reform kicks into gear simply because we decide as a society that we are no longer willing to tolerate a long-standing problem and are now willing to do something about it. As the amazing and often touching stories that the Robinsons present make clear, the path of progress is not just a long series of course corrections; sometimes it is a quick turn or an unexpected lurch. In a flash we can suddenly feel different about present circumstances, seeing a need for change and can often, just as suddenly, do something about it. Every trigger crime that appears in Crimes That Changed Our World highlights a societal problem that America has chosen to deal with, each in a unique way. But what these extraordinary, and sometime unexpected, cases have in common is that all of them describe crimes that changed our world.
|Author||: Susan Vinocour|
|Editor||: W. W. Norton & Company|
A powerful and humane exploration of the history of the "insanity defense," through the story of one poignant case. When a three-year-old child was found with a head wound and other injuries, it looked like an open-and-shut case of second-degree murder. Psychologist and attorney Susan Vinocour agreed to evaluate the defendant, the child's mentally ill and impoverished grandmother, to determine whether she was competent to stand trial. Even if she had caused the child's death, had she realized at the time that her actions were wrong or was she legally "insane"? What followed was anything but an open-and-shut case. Nobody's Child traces the legal definition of "insanity" back to its inception in Victorian Britain nearly two hundred years ago, from when our understanding of the human mind was in its infancy, to today, when questions of race, class, and ability so often determine who is legally "insane" and who is criminally guilty. Vinocour explains how "competency" and "insanity" are creatures of a legal system, not of psychiatric reality, and how, in criminal law, the insanity defense has to often been a luxury of the rich and white. Nobody's Child is a profoundly dignified portrait of injustice in America and a complex examination of the troubling intersection of mental health and the law. When prisons are now the largest institutions for the mentally ill, Vinocour demands that we reckon with our conceptions of "insanity" with clarity, empathy, and responsibility.
|Author||: Anna Clark|
|Editor||: Metropolitan Books|
When the people of Flint, Michigan, turned on their faucets in April 2014, the water pouring out was poisoned with lead and other toxins. Through a series of disastrous decisions, the state government had switched the city’s water supply to a source that corroded Flint’s aging lead pipes. Complaints about the foul-smelling water were dismissed: the residents of Flint, mostly poor and African American, were not seen as credible, even in matters of their own lives. It took eighteen months of activism by city residents and a band of dogged outsiders to force the state to admit that the water was poisonous. By that time, twelve people had died and Flint’s children had suffered irreparable harm. The long battle for accountability and a humane response to this man-made disaster has only just begun. In the first full account of this American tragedy, Anna Clark's The Poisoned City recounts the gripping story of Flint’s poisoned water through the people who caused it, suffered from it, and exposed it. It is a chronicle of one town, but could also be about any American city, all made precarious by the neglect of infrastructure and the erosion of democratic decision making. Places like Flint are set up to fail—and for the people who live and work in them, the consequences can be fatal.
|Author||: Agatha Christie|
|Editor||: Harper Collins|
In Agatha Christie’s classic, Three Act Tragedy, the normally unflappable Hercule Poirot faces his most baffling investigation: the seemingly motiveless murder of the thirteenth guest at dinner party, who choked to death on a cocktail containing not a trace of poison. Sir Charles Cartwright should have known better than to allow thirteen guests to sit down for dinner. For at the end of the evening one of them is dead—choked by a cocktail that contained no trace of poison. Predictable, says Hercule Poirot, the great detective. But entirely unpredictable is that he can find absolutely no motive for murder.…
|Author||: Gerard N. Magliocca|
|Editor||: Yale University Press|
Although Populist candidate William Jennings Bryan lost the presidential elections of 1896, 1900, and 1908, he was the most influential political figure of his era. In this astutely argued book, Gerard N. Magliocca explores how Bryan's effort to reach the White House energized conservatives across the nation and caused a transformation in constitutional law. Responding negatively to the Populist agenda, the Supreme Court established a host of new constitutional principles during the 1890s. Many of them proved long-lasting and highly consequential, including the "separate but equal" doctrine supporting racial segregation, the authorization of the use of force against striking workers, and the creation of the liberty of contract. The judicial backlash of the 1890s--the most powerful the United States has ever experienced--illustrates vividly the risks of seeking fundamental social change. Magliocca concludes by examining the lessons of the Populist experience for advocates of change in our own divisive times.
|Author||: Clifford Leech|
|Editor||: Taylor & Francis|
First published in 1969, this work examines the genre of Tragedy from its origins in ancient Greece, to the modern day. Beginning with an overview of the meaning of tragedy in Europe through the ages, it goes on to explore common aspects of tragedies such as the tragic hero, the chorus and unities, catharsis, peripeteia, anagnorisis and suffering. This book will be of interest to anyone studying European drama and literature.
|Author||: Robert Zausner|
|Editor||: Camino Books Incorporated|
They couldnt have been more differentone a teenager from affluent suburbia, the other a little kid from the poor part of the city. But John Tucker Mahoney and Shareif Hall would come to share a common experience as random, unsuspecting victims of terrible tragedies. Tucker would be felled by a tiny piece of metal, a BB fired from the powerful, new-generation air rifle he got for his 16th birthday. Shareif, four years old, would be riding a transit system escalator on the day before Thanksgiving, when his brand new Fila shoe would get caught in the contraptions giant metal teeth. With crisp narration and great fidelity to detail, Robert Zausners Two Boys tells their harrowing story. Tucker and Shareif would also share one other thing. The tragedies that befell them were not merely bad luck but the result of wrongful, egregious conduct. Both cases involved bad actors: the manufacturer who sold some 7.5 million defective PowerLine air rifles (and later refused to remove them from circulation), and the transit authority that failed to properly maintain and upgrade its moving stairways.The boys families, powerless to restore health or happiness, could not do much to help Tucker and Shareif. So they did the only other thing they could. They sought justice using the sole remedy available to themthe legal system. Partners in the same Philadelphia law firm would represent the families and battle for them against well-known corporate entities: Daisy Manufacturing Company and the Southeastern Pennsylvania Transportation Authority (SEPTA), a government-related agency. Both would deny they were at fault, one going so far as to conceal and even fabricate critical evidence.The cases would garner sometimes heavy media attention and be unexpectedly pressed to their limits. Along the way, revealing legal discovery and surprising courtroom testimony would intensify the families quests for justice as they built, inevitably, to their dramatic conclusions.
|Author||: Sean McEvoy|
|Editor||: Taylor & Francis|
Tragedy: The Basics is an accessible and up-to-date introduction to dramatic tragedy. A comprehensive guide for anyone undertaking a study of the genre, it provides a chronological overview and history of tragic theory. Covering tragedy from the classics to the present day, it explains the contextual and theoretical issues which affect the interpretation of tragedy, examining popularly studied key plays in order to show historical change. Including a glossary of key terms and suggestions for further reading, Tragedy: The Basics is an ideal starting point for anyone studying tragedy in literature or theatre studies.
|Author||: Jay W. Jacobs|
|Editor||: Quid Pro Books|
Will anyone ever know what happened to the Aloha, a sport fishing boat that vanished with all onboard in the Pacific off San Francisco’s coast? ‘Knowing’ is a complex, inexact business. There’s real truth and then there’s courtroom truth; a jury’s verdict may or may not approach what actually happened. Nor can someone reading about such an event—one that had no witnesses or hard evidence to explain it—be sure where the truth lies. But trials, judges, and juries are what we use in our legal system to find truth. The Widow Wave explores this alternate reality. It is a fascinating true-life mystery and lawyer procedural rolled into one. Jay Jacobs offers no facile answers—and he’s not the flawless protagonist typically starring in such dramas. He lets us see how such a big wrongful death case really unfolds, in a true story that reads like a novel. Will the jury find the truth? Will the reader? "An intelligently told true story of honor, integrity and justice. The Widow Wave reminded me of The Perfect Storm, played out in a taut courtroom thriller. Jay Jacobs masterfully weaves the harrowing tale of the last voyage of the Aloha, and courtroom battle that followed. A great read." — Robert Dugoni, New York Times Bestselling Author of My Sister's Grave "A compelling story of a modern day maritime tragedy that beautifully discusses the vital importance of advances in observational technologies, forecasts and communications in avoiding future loss of life at sea. Jacobs skillfully weaves together the legal, scientific and maritime narratives to enthrall and educate the reader." — Julie Thomas, Scripps Institution of Oceanography, Manager of the Institute of Geo and Planetary Physics "Trial lawyer Jay Jacobs, in a unique, personally revealing memoir, defends a widow and her deceased husband's honor in an intimate first person account of how the civil trial process unfolds.... The reader will learn about the strategies, shoals, and embroilments of a real life, vigorously contested trial with its many emotional upheavals." — Justice James Marchiano (ret.), formerly Presiding Justice, California Court of Appeals, First Appellate District "Jacobs' vivid prose pulls you into a compelling drama, deftly transporting you from the courtroom to the storm-tossed Pacific and back to the courtroom again. The book reads like a well-wrought detective novel." — Daniel James Brown, New York Times Bestselling Author of The Boys in the Boat
|Author||: Jonathan Harr|
This true story of an epic courtroom showdown, where two of the nation's largest corporations were accused of causing the deaths of children from water contamination, was a #1 national bestseller and winner of the National Book Critics Circle Award. Described as “a page-turner filled with greed, duplicity, heartache, and bare-knuckle legal brinksmanship by The New York Times, A Civil Action is the searing, compelling tale of a legal system gone awry—one in which greed and power fight an unending struggle against justice. Yet it is also the story of how one man can ultimately make a difference. Representing the bereaved parents, the unlikeliest of heroes emerges: a young, flamboyant Porsche-driving lawyer who hopes to win millions of dollars and ends up nearly losing everything, including his sanity. With an unstoppable narrative power reminiscent of Truman Capote’s In Cold Blood, A Civil Action is an unforgettable reading experience that will leave the reader both shocked and enlightened. A Civil Action was made into a movie starring John Travolta and Robert Duvall.
|Author||: Justin O'Brien|
|Editor||: Bloomsbury Publishing|
James M Landis – scholar, administrator, advocate and political adviser – is known for his seminal contribution to the creation of the modern system of market regulation in the USA. As a highly influential participant in the politics of the New Deal he drafted the statute which was to become the foundation for securities regulation in the US, and by extension the founding principle of financial market regulation across the world. He was also a complex and in some ways tragic figure, whose glittering career collapsed following the revelation that he had failed to pay tax for a five year period in the 1950s. The oversight was to cost possible elevation to the Supreme Court, forced prosecution and sentencing in 1963 to one month's imprisonment, commuted to forced hospitalisation, and subsequent suspension of licence to practise. This candid and revealing book sets his life in the context of his work as an academic, legislative draftsman, administrator and Dean of Harvard Law School. In rescuing from history Landis's battles and achievements in regulatory design, theory and practice, it speaks directly to the perennial problems in financial market regulation - how to deal with institutions deemed too big to fail, how to regulate the sale of complex financial instruments and what role can the professions play as gatekeepers of market integrity. It argues that in failing to learn from the lessons of history we limit the capacity of regulatory intervention to facilitate cultural change, without which contemporary responses to financial crises are destined to fail.
|Author||: Fiona Harari|
|Editor||: Victory Books|
This was not the ending either of them expected. Marcus Einfeld, former Federal Court judge and human rights champion, and his old friend Teresa Brennan, an exuberant, sometimes controversial US-based academic, had each spent years establishing demanding careers and international reputations, to create two lives that, on paper at least, exuded success. Then Einfeld was caught speeding. But rather than pay a small fine, the former judge told a court that Brennan had been driving his car. In reality she had been dead for three years. Through a chain of events that at times seemed exceedingly unlikely, Einfeld's lie was exposed, with once unimaginable consequences. His world, and virtually every honour he had earned, rapidly disappeared. And his old friend Brennan, who had died in suspicious circumstances, was suddenly, posthumously, attracting attention for all the wrong reasons. This is the remarkable story of two outstanding Australians whose lives have been lived large, and who, ultimately, have been bound by tragedy.